Heroes disappearing into the sunset, the desperate cry of a boy; those are some of the iconic references that connect us immediately to Shane (1953, George Stevens). A film that, right from its premiere, deeply bonded with its audience resulting in long-lasting affection and admiration through generations of movie lovers. This Good versus Evil fable –dividing homesteaders and cattlemen–, is dramatically seen through the eyes of a little boy. An underlying message, an important reflection on the use of firearms is fostered and echoed just as the thundering gunshots during the final showdown. Its subtle magnetism is breathtaking and inscrutable. Guided by Alan Ladd's immortal character, we will cross the valley of Jackson Hole to analyze this masterpiece and the work of George Stevens.
"I like a man who watches things going around. It means he'll make his mark someday."
— Shane (Alan Ladd)

